Following Murder on The Orient Express and Death On The Nile, A Haunting In Venice is the third entry in Kenneth Branagh’s vivid, energetic but at times erratic and overcooked Agatha Christie adaptations. Like the two previous films, this one benefits from a few standout performances and its probing of detective Hercule Poirot’s formidable intellect and complex psyche. More than
Read moreDeath on the Nile Following his well-received Murder on The Orient Express remake, Kenneth Branagh returns as director and lead character – the iconic detective Hercule Poirot – in another Agatha Christie film remake, Death on the Nile, which we previously saw in 1978. The film largely follows the template of the 1978 version as a ‘well to do’ group
Read moreKenneth Branagh’s heartfelt, energetic, if familiar, Belfast is a semi-autobiographical family drama and childhood rites of passage film set amid the increasingly menacing environment of Northern Ireland during ‘the troubles’ in 1969. The film centres on nine-year-old Buddy (Jude Hill, in his feature acting debut), a likeable and precocious primary schooler living with his family in working class Belfast. His
Read moreAfter the disappointment of his last sci-fi outing, the ambitious but confusing, inert and miscast Interstellar, Christopher Nolan returns with a film as gargantuan in scope, complexity, running time and likelihood of dividing audiences in Tenet. It seems Nolan’s quest with this film was to make the most confusing time travel movie ever. Apparently, the Spierig brothers’ Predestination, where characters
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