As a movie title, Five Nights at Freddy’s sounds more like a comedy-drama based in a nightclub rather than a horror film. Gamers, however, will know better as this is an adaptation of a massively popular supernatural/ slasher themed videogame. The film’s trailer suggested a Saw-style human rat trap torture porn film. There is a touch of that but possibly
Read moreMartin Scorsese has largely built his reputation and ravenous following as a filmmaker on contemporary stories of misfits seeking redemption and Italian American gangsters. Frequently, though, he’s stepped away from that milieu to explore historical subjects and biopics in films like The Age of Innocence, Gangs of New York and The Aviator. He hasn’t ventured into the western genre but
Read moreMusic doco, Mutiny in Heaven, which is directed by Ian White (Before the Fall) traces the tumultuous life of groundbreaking Melbourne band The Birthday Party, the film’s title coming from one of their songs. The iconic band featured Nick Cave at his most musically and visually punk and experimental and his most self-destructive; multi-instrumentalist and song writer Mick Harvey; bassist
Read moreWilliam Friedkin’s 1973 cinema adaptation of William Peter Blatty’s novel The Exorcist was one of the film events of the decade. Disturbingly powerful and superbly crafted, it chilled cinemagoers like no film before while surprisingly sparking huge interest in Mike Oldfields ‘Tubular bells’ which was used on the soundtrack. Even half a century later that film has lost little of
Read moreShayda, which was the opening night feature at this year’s MIFF, is a semi-autobiographical film based on the childhood experiences of its writer/ director Noora Niasari. Set in 1995 in the Dandenong area, the film depicts an Iranian-Australian woman, Shayda’s (Zar Amir Ebrahimi) escape from abuse at the hands of her husband, Hossein (Osamah Sami). Having taken her daughter Mona
Read moreClever, inventive, visually breathtaking and studded with gritty action sequences, the dystopian adventure, The Creator is one of the stronger cinematic sci fi offerings of recent times. Still, a few too many conspicuous film references, structural issues and superficial examination of key issues like artificial intelligence and American imperialism lessen its impact. In scenes reminiscent of the start of District
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