This week on ‘Built For Speed’ we play all Australian music. There’ll be some of the best recent Aussie releases as well as our favourites from across the decades. On the movie front we take a look the film of the moment, Oscar-nominated Aussie biographical drama, Lion. We also give our view on one of the most critically panned films
Read moreThis week on ‘Built For Speed’ we take a look at Oscar contender ‘Jackie’ which explores the life of Jacqueline Kennedy in the aftermath of JFK’s assassination. We also review something for the younger cinemagoers with ‘Monster Trucks’. There’s plenty of fine music with recent Australian releases, legendary solo artists and some 90’s classics from the UK. Don’t forget our
Read moreBuilt for Speed – 13th January 2017 TYRANNAMEN – I can’t read your mind. (Aus) THE MISFITS – Night of the living dead. ROKY ERICKSON – Don’t shake me Lucifer. ALICE COOPER – No more Mr Nice Guy. IRON MAIDEN – The number of the beast. BLITZEN TRAPPER – Destroyer of the void. BELLES WILL RING – Priest coats. (Aus)
Read moreIt’s Friday the 13th and ‘Built For Speed’ will treat you to some spooky tunes from the likes of Roky Erickson and Iron Maiden, as well as new Aussie music and plenty of classics. On the movie front CJ will give us a comprehensive review of the Golden Globe Awards and we’ll take a look at Jennifer Lawrence’s new sci-fi
Read moreBuilt for Speed – 6th January 2017 QUEEN – Let me entertain you. SASKWATCH – I get lonely. (Aus) HALFWAY – Dropout. (Aus) TEETH AND TONGUE – Cupcake. (Aus) DAVID BOWIE – Moonage Daydream. STATUS QUO – Rockin’ all over the world. GEORGE MICHAEL – Shoot the dog. THE REPLACEMENTS – Little mascara. TOM WAITS – Hang down your head.
Read moreGimme Danger is Jim Jarmusch’s sensational documentary about the real godfathers of punk The Stooges. With Iggy pop’s distinctive voice infusing the film as a simultaneous interviewee and narrator, Gimme Danger reveals the band’s tumultuous birth in late 60’s Detroit, their flirtation with stardom in the early 70’s, their battles with critical and record company indifference and their descent into
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