Built for Speed

Program: Built for Speed
Broadcast time: Every Friday night 8pm – 10pm
Presenters: Nick, CJ and Jimbo.

Are you a fan of rock, both alternative and classic?

Want to know whether that cinematic blockbuster or art house flick you’ve heard about is worth your time and your hard-earned cash?

Looking for some questionable comedy and pop-cultural commentary?

Then you need to listen to Built for Speed on 88.3 Southern FM.

Built for Speed presenters CJ, Jimbo and Nick have been blasting the Southern suburbs with their favourite music and totally unbiased film reviews every Friday night at 8pm for nearly 16 years.

Whether it’s established bands or music virtually no-one’s heard about, we’ll bring it you if we think it’s any good.  We’re proud to say we were one of the first shows playing artists like Wilco, The Vines and MGMT.

Our film tastes are equally eclectic so if you’re a fan of extreme action, sci-fi, genteel period dramas or some strange combination of these we’ll let you know what’s worth seeing.

We also have the occasional guest drop by and in the past have enjoyed a chat with Mick Molloy, actor Tony Martin, film industry insiders and numerous up-coming bands.

Unlike most programs on the commercial stations we take song requests and every so often tantalise our learned audience with CJ’s rock quiz. So tune in this Friday and gorge yourself on the pop-cultural triple cheese burger that is “Built for Speed”.

Posts for Built for Speed:

Film review: ‘KRAVEN THE HUNTER’ by Nick Gardener from ‘Built For Speed’

Kraven the Hunter, who originally appeared on Marvel Comics pages in 1964 as a nemesis for Spiderman is one of the lesser-known Marvel characters, at least for this reviewer. Whether or not he deserved a feature length film was probably debatable before the movie and having seen Kraven The Hunter, that doubt has only grown.  This lunkheaded action adventure follows

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Film review: ‘ANORA’ by Nick Gardener from ‘Built For Speed’

Writer/director Sean Baker distinguished himself as an ultra-low budget filmmaker intrigued by the lives of people on society’s fringes such as transgender sex worker Sin-Dee in Tangerine and volatile single mother Halley in The Florida Project.  After these raw and confronting films, he seemed to lose his way with the long rambling Red Rocket. His latest film, the Palm D’or

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Film review: ‘PIECE BY PIECE’ by Nick Gardener from ‘Built For Speed’

The oddball music biopic seems to be a burgeoning new subgenre. There’s the Robbie Williams monkey movie and now the Lego animation Piece By Piece which recounts the life of famed musician and producer Pharrell Williams.  Full disclosure, the prospect of another quirky jerky Lego movie/ product placement had me recoiling like a vampire doused with holy water but I

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Film review: ‘MOANA 2’ by Nick Gardener from ‘Built For Speed’

Disney’s Moana was a justifiable smash hit.  A cute, charming and extremely visually inventive animated adventure that drew on the familiar Disney trope of the feisty but sensitive young woman going on a journey of self-discovery.  It was distinguished, however, by its South Pacific island setting (the fictitious island of Motonui) and its references to Polynesian history, culture and mythology.

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Film review: ‘THE HERETIC’ by Nick Gardener from ‘Built For Speed’

Often creepy and thought provoking, The Heretic is almost one of the year’s best thrillers but some loose story threads and a third act descent into cliché diminish this film’s overall impact. The set up is a familiar one in the horror/ thriller genre: unsuspecting and apparently vulnerable people unwisely enter the ominous looking home and encounter an intimidating weirdo. 

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Film review: ‘WICKED’ by Nick Gardener from ‘Built For Speed’

Wicked is the hotly anticipated cinema adaptation of the hugely successful musical theatre production of the same name.  I haven’t seen the stage version and all I knew was that it was a prequel of sorts to The Wizard Of Oz that involved origin stories for the good witch Glinda and the wicked witch Elphaba.  The filmmakers certainly believe in

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