Film review: THE WORLD’S END, from Built For Speed

In the noble tradition of Old Dogs, Grown Ups and Hot Tub Time Machine comes The Worlds End, another low-brow comedy about a group of middle aged guys desperately trying to relive the glory days of their wayward youth. Starring Simon Pegg and Nick Frost, The World’s End is the last in a loosely connected comic trilogy that also includes

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Film review: WHAT’S IN A NAME, from Built For Speed

Clearly influenced by playwright Edward Albee’s Who’s Afraid of Virginia Woolf, What’s in a Name depicts a dinner party among alleged French intellectuals that descends into bitter conflict.  Biting and perceptive, if at times over the top, What’s In a Name cleverly skewers French middle class pretensions. The film stars Charles Berling and Valerie Benguigi as Pierre and Elisabeth, a

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Film review: THE WOLVERINE, from Built For Speed

The world of Marvel Comics movie adaptations is becoming increasingly confusing with the latest X-Men film entitled The Wolverine a reboot of the Wolverine character within a reboot of the X-Men franchise.  Whether this attempt at reviving the series will succeed is a doubtful, though, as this film, while competently made and occasionally exciting, feels a little tired. The Wolverine

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Film review: THIS IS THE END, from Built For Speed

This Is The End is a juvenile, indulgent lark that operates under the dubious belief that Seth Rogen, James Franco and Jonah Hill might be amusing or remotely entertaining playing themselves. In what seems to have been an idea cooked up over excessive amounts of beer, pizza and bongs, This is the End sees Rogen and his long-time Canadian compatriot

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Film review: BEHIND THE CANDELABRA, from Built For Speed

There’s something about the rarefied heights of superstardom in America that produces eccentricity bordering on craziness. From Elvis shooting the TV to Michael Jackson living in an amusement park with lamas, it seems that the power and fame bestowed upon stars irreparably warps their sense of reality. Nowhere was this more apparent than in the person of outrageously flamboyant piano

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